"She said, 'Don't make others suffer for your personal hatred.'" | |
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Neon Genesis Evangelion episode | |
Episode no. | Episode 12 |
Directed by | Hiroyuki Ishido |
Written by | Hideaki Anno, Akio Satsukawa |
Original air date | December 20, 1995 |
Running time | 22 minutes |
"She said, 'Don't make others suffer for your personal hatred.'" [lower-alpha 1] is the twelfth episode of the Japanese anime television series Neon Genesis Evangelion , which was created by Gainax. The episode was first broadcast on TV Tokyo on December 20, 1995. It was written by Hideaki Anno and Akio Satsukwa and directed by Hiroyuki Ishido. The series is set fifteen years after a worldwide cataclysm known as Second Impact and is mostly set in the futuristic city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Nerv's Major Misato Katsuragi recalls her past as a survivor of the Second Impact, while a new, large-sized Angel called Sahaquiel threatens to destroy the entire Nerv headquarters.
At the beginning of the production, the main enemy was supposed to be an Angel called Turel. The episode, part of the series' action arc, blends comedy and action together and is markedly positive in its portrayal of the characters' relationships, particularly those between protagonist Shinji and Misato, and Shinji and his father Gendo. "She said, 'Don't make others suffer for your personal hatred'" echoes Hideaki Anno's typical themes, presenting through the character of Misato an optimistic view of human endeavour at the expense of fatalism and determinism. The installment also features several religious references, including the Christian concept of original sin and the biblical story of Sodom and Gomorrah.
"She said, 'Don't make others suffer for your personal hatred'" drew a 7.4% audience share on Japanese television. It received a generally positive reception. Some reviewers criticised the banality of the plot and the brevity of the battle against Sahaquiel, while other critics praised the action, the optimism and the focus on the personal interrelationships between the main characters.
Misato Katsuragi, head of the strategic department of the special agency Nerv, recalls a trauma she experienced when she was fourteen years old. During an experiment a giant of light woke up at the south pole, causing the melting of the southern ice cap and the death of her father, Dr. Katsuragi; despite being at the south pole at the time of the incident, known as Second Impact, Misato managed to escape the disaster and survive. After the flashback, Misato is promoted in rank, and grudgingly celebrates her promotion with her subordinates, Evangelion mecha pilots Shinji Ikari and Asuka Langley Soryu.
Sahaquiel, the tenth specimen of a race of mankind's antagonists called Angels, makes its appearance in satellite orbit. The enemy is much larger than the Evangelion units, and the Nerv believes its attack strategy is to crash-land using its own body as a bomb. Shinji, Asuka and fellow pilot Rei Ayanami, aboard their respective Evangelions, intercept the enemy, and by joining forces they succeed in defeating it against all of Nerv's probabilistic predictions. At the end of the confrontation, Nerv's Commander Gendo Ikari, who had remained at the South Pole on a mysterious expedition until then, congratulates his son Shinji. Shinji, thinking back to his father's unexpected words of praise, realises that this is why he boards the Evangelion and has decided to become a pilot.
In 1993, Gainax published a presentation document for Neon Genesis Evangelion entitled New Century Evangelion (tentative name) Proposal (新世紀エヴァンゲリオン (仮) 企画書, Shinseiki Evangelion (kari) kikakusho), [1] containing the initial synopsis for the twelfth episode. [2] In the Proposal, the installment was supposed to be entitled "An Eighteen-Second Miracle" (18秒の奇跡, 18-byō no kiseki). [3] [4] The Angel initially envisaged as the enemy of the episode was not to be Sahaquiel, but a certain Turel, "the rock of God", [5] and only in the making did the plans change. Sahaquiel was initially supposed to look like a thin string, similar to Armisael, [6] in order to show the audience that the Evangelion enemies can also be non-anthropomorphic. [7] According to Kazuya Tsurumaki, assistant director of the series, the original scenario in fact included an "origami Angel" with a shape similar to the Möbius strip. [8] Akio Satsukawa and series director Hideaki Anno wrote the script, [9] [10] while Masayuki handled the storyboards. [11] [12] Hiroyuki Ishido served as director for the installment. [13] [14] Satoshi Shiteta worked as a chief animator, [15] while Mitsumu Wogi served as assistant character designer. [16] [17] The production also involved other companies, including Studio Ye Seong, Vega Enterteinment and Studio Deen. [15]
Gualtiero Cannarsi, editor of the first Italian adaptation of the series, noted how the opening scene of Misato's flashback is almost entirely drawn with a sepia effect, except for the red elements; this choice emphasises the blood, accentuating the drama of the scene. [18] For the scene with Gendo and Fuyutsuki in Antarctica, in which a red sea full of salt columns is framed, the authors took up an idea already presented in the last episode of the series Nadia: The Secret of Blue Water , in which the series' main antagonist, Gargoyle, is turned into salt. [19] [20] According to the character designer of the series, Yoshiyuki Sadamoto, the post-apocalyptic scenario and the use of the Dead Sea scrolls in Neon Genesis Evangelion are also a "side effect" of Nadia. [21] The original scenario of the series also did not involve an explosion at the south pole, but a "Dead Sea evaporation accident". [22] Even Misato's motto uttered during the operation against Sahaquiel, "The value of a miracle only becomes real when it has happened", echoes similar phrases and themes presented in previous Gainax works, such as Nadia and Gunbuster . [23] [24] Before the fight Rei also says that she does not eat meat; for Rei's characterisation Anno took inspiration from his personal experience as a long-time vegetarian, similarly to what he had already done with Nadia Arwol, the protagonist of The Secret of Blue Water. [25]
Megumi Hayashibara, Yuko Miyamura, Miki Nagasawa and Junko Iwao, voice actresses of several main characters in the series, played audible announcers in various sequences of "She said, 'Don't make others suffer for your personal hatred'". [26] [27] Hayashibara also voiced a DJ speaker audible in the background in the scene where Shinji and Misato argue in the car. [28] In addition to the original soundtrack, composed by Shiro Sagisu, the staff used the song "Bay side love story" by Masami Okui during the installment. [29] Yoko Takahashi, who had already sung the opening theme song, also sang a 4beat version of "Fly Me to the Moon" used as the episode's closing theme song. [30] [31]
Writer Dani Cavallaro described "She said, 'Don't make others suffer for your personal hatred'" as an episode "axial to Evangelion's world". [32] Throughout the installment, Shinji's psychology is explored, [33] as well as his relationship with Misato Katsuragi. [34] Another theme is the depiction of Shinji and Misato's inner world [35] and Shinji's doubts about the real reason why he decides to pilot the Eva-01. [36] The episode is the culmination of the positivity and lightness of the action arc of the series, in which the relationships of the protagonists seem to reach the point of resolution and the story towards a happy ending. [37] [38] Gendo, for example, portrayed in the early episodes as a cold and aloof father, congratulates Shinji and compliments him. [39] [40] Shinji realises after this event that he pilots the Eva-01 only to receive the approval of his parent, whose praise moves him to unexpected happiness. [41] Writer Dennis Redmond has noted how Gendo's compliments are an "unusual moment" for Japanese culture, which "tends to recognise group achievement rather than individual merit". [42] Misato, on the other hand, shows great faith in man's possibilities in the course of the plot, renouncing fatalistic or deterministic attitudes, echoing Hideaki Anno's work typical themes. [43]
In "She said, 'Don't make others suffer for your personal hatred'", Asuka Langley Soryu, characterised by a grumpy and proud character, is annoyed by the achievements of her colleague Shinji. [44] Gualtiero Cannarsi ascribed her conduct to a manly protest, a psychological term for a form of rebellion identifiable in women who are tired of the role stereotypically associated with the female gender. [26] Asuka acts as if she tries to prove herself and surpass the male gender, fusing an "inferiority complex" and "radical rivalry". [45]
In the course of the episode, Asuka defines Misato's generation, the one that experienced Second Impact and its aftermath firsthand, as a "generation born poor". [46] The expression "Second Impact generation", also mentioned by a radio program in another scene in the episode, has been compared by Gualtiero Cannarsi to that of the "war generation". [46] In the course of the preparations for the clash against Sahaquiel, the town of Matsushiro, where the second division of the Nerv is located, is also mentioned. In the real world, plans were made in the area of Matsushiro for the construction of underground imperial headquarters to be used after the Second World War. [47] [48]
"She said, 'Don't make others suffer for your personal hatred'" also contains religious references, particularly to Judaism and Christianity. In the first scene of the episode, Adam, the first Angel, is first portrayed in the form of a giant of light. [49] [50] Critic Marc MacWilliams noted Evangelion's Adam is represented as "in Kabbalistic texts before his Fall". [51] In another scene, a maritime fleet is seen transporting a gigantic object called the Spear of Longinus on an aircraft carrier, [52] [53] whose name is taken from the legendary Christian relic of the same name. In the same scene, Gendo Ikari and Kozo Fuyutsuki discuss the causes of Second Impact, mentioning the Christian concept of original sin; [54] writer Dennis Redmond described their conversation as "quasi-theological". [55] In the course of the discussion, columns of salt [9] [56] are framed throughout the red waters of the south pole. Comic Book Resources' Theo Kogod compared the melted sea of Antarctica to the Book of Revelation, in which the seas is turned red as blood. [57] The pillars of salt constitute a reference to Sodom and Gomorrah and the episode of Lot's wife's transformation into a statue of salt. [20] In Evangelion, Fuyutsuki speaks of the Second Impact as a "punishment" inflicted on mankind for its crimes, calling the South Pole, a prohibitive place for any living species, "a real Dead Sea". It is believed that Sodom and Gomorrah were in fact located near the southern end of the Dead Sea, known to be a completely prohibitive environment for the life of any aquatic species due to its extremely high salinity. [58]
"She said, 'Don't make others suffer for your personal hatred'" was first broadcast on December 20, 1995, and drew a 7.4% audience share on Japanese television. [59] [60] In 1996 it ranked twelfth in Animage 's Anime Grand Prix poll of "Best Anime Episodes" with 81 votes. [61] A line of official T-shirts about the episode has also been released. [62] [63]
Some critics have negatively received "She said, 'Don't make others suffer for your personal hatred'". Akio Nagatomi of The Anime Café gave the episode a positive rating, but complained about the "pretty stock" plot. [64] Screen Rant similarly criticized the battle against Sahaquiel as overly quick. [65] Other reviewers positively commented the installment. Film School Rejects' Max Covil praised "She said, 'Don't make others suffer for your personal hatred'", appreciating the focus on Misato's character and the finale, which he described as "one of the more uplifting endings in the series". [66] Covil also listed a frame of Misato's flashback during Second Impact among the show's "perfect shots". [67]
Matthew Garcia of Multiversity Comics lauded the use of music and silences. [68] Digitally Obsessed Joel Cunningham also praised the episode; while "not a whole lot happens", according to Cunningham there are "a lot of nice character moments" with Shinji and Misato, and both of their characters are expanded nicely. [69] Comic Book Resources ranked the clash between the three Evas and Sahaquiel third among the best of the show, describing it as "one of the most visually spectacular fights in the series"; [70] [71] FilmDaze's Joshua Sorensen similarly lauded it saying: "It's a neat piece of continuity and worldbuilding, yes, but it's also a lingering reminder that it is impossible for the characters to avoid the reality of their actions". [72] Anime News Network's Theron Martin said that the battles presented in the eleventh and twelfth episodes are "suitably exciting and creative, and it's a bit of an extra thrill to finally get to see all three Evas operating in tandem". [73]
Polygon compared the unfurled design of the flying cryptid movie monster Jean Jacket in Jordan Peele's Nope with Sahaquiel. [74] On July 25, 2022, Slashfilm confirmed via Peele's production notes for Nope that Jean Jacket had been specifically inspired by the Angels of Neon Genesis Evangelion; Peele himself stated that he was particularly influenced by their "hyper minimalism" and "biomechanical design flair". [75]
The Angels are fictional entities from the anime television series Neon Genesis Evangelion, which was produced by Gainax studio and directed by Hideaki Anno. Angels also appear in the manga adaptation of the same name, which was illustrated by Yoshiyuki Sadamoto.
Shinji Ikari is a fictional character from the Neon Genesis Evangelion franchise created by Gainax. He is the franchise's poster boy and protagonist. In the anime series of the same name, Shinji is a boy abandoned by his estranged father Gendo after the mysterious death of his mother Yui. Years later, Gendo asks him to pilot a mecha called Evangelion Unit-01 to protect the city of Tokyo-3 from Angels, creatures which threaten to destroy humanity. Shinji appears in the franchise's feature films and related media, video games, the manga Petit Eva: Evangelion@School, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto.
Gendo Ikari is a fictional character from the Neon Genesis Evangelion franchise, created by Gainax. In the original anime series with the same name, Gendo is the supreme commander of the special agency Nerv, which is dedicated to the study and annihilation of Angels, a series of mysterious enemies of humans. Gendo is grief-stricken by the sudden death of his wife Yui, and abandons his son Shinji Ikari to devote himself to a plan named Human Instrumentality Project. Years later, Gendo asks Shinji to pilot a giant mecha named Evangelion; his pragmatic, cold, and calculating attitude leads him to use any means to achieve his personal goals. He also appears in the franchise's animated feature films and related media, video games, the original net animation Petit Eva: Evangelion@School, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto.
Misato Katsuragi is a fictional character from the Gainax-created media franchise Neon Genesis Evangelion. In the eponymous anime television series, Misato is head of the operations department of the special agency Nerv, and is in charge of directing and devising war strategies needed to defeat mysterious beings named Angels. Due to childhood emotional traumas, she developed a frivolous, exuberant character and a disordered lifestyle. The character also appears in the franchise's animated feature films and related media, including video games, the original net animation Petit Eva: Evangelion@School, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto.
"Angel Attack" is the first episode of the anime series Neon Genesis Evangelion, created by Gainax. The episode was written by the series director Hideaki Anno and directed by Kazuya Tsurumaki. It was originally aired on TV Tokyo on October 4, 1995. The series is mostly set in the futuristic, fortified city Tokyo-3, fifteen years after a worldwide cataclysm named Second Impact. The protagonist is Shinji Ikari, a teenage boy whose father Gendo has recruited him to the organization Nerv to pilot a giant bio-machine mecha named Evangelion to combat beings called Angels. In the episode, Tokyo-3 is attacked by the Angel Sachiel, who fights the United Nations Army and the JSSDF. Gendo summons Shinji for the first time and Shinji reluctantly agrees to pilot the mecha.
"The Beast", known by the Japanese title "Unfamiliar Ceilings", is the second episode of the anime Neon Genesis Evangelion, created by Gainax. The episode was written by the series director Hideaki Anno and Yōji Enokido and directed by Kazuya Tsurumaki. It aired originally on TV Tokyo on October 11, 1995.
"Rei I", also known by the Japanese title "Rei, Beyond the Heart", is the fifth episode of the anime Neon Genesis Evangelion, which was created by Gainax. "Rei I" was written by Hideaki Anno and Akio Satsukawa, and directed by Keiichi Sugiyama. It was first broadcast on TV Tokyo on November 1, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, mostly in the futuristic, fortified city called Tokyo-3. The episode's protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo into the organization Nerv to pilot a giant bio-machine mecha named Evangelion to combat certain beings called Angels. In the episode, Shinji tries, but fails, to connect with Rei Ayanami, a fellow pilot, who is close to his distant and cold father Gendo.
"Rei II", also known by the Japanese title "Showdown in Tokyo-3", is the sixth episode of the anime Neon Genesis Evangelion, which was created by Gainax. "Rei II" was written by Hideaki Anno and Akio Satsukawa and directed by Hiroyuki Ishido. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified fictional city of Tokyo-3. The episode's protagonist is teenage boy Shinji Ikari, who is recruited by his father Gendo to the organization Nerv to pilot a bio-machine mecha named Evangelion against beings called Angels. In the episode, Shinji must annihilate the fifth Angel Ramiel, who is able to destroy every enemy in its vicinity with an accelerated particles cannon. A plan called Operation Yashima is worked out, which involves Shinji shooting Ramiel from a distance with a Positron Rifle.
"A Human Work", also known by the Japanese title "The Works of Man", is the seventh episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Keiichi Sugiyama, was first broadcast on TV Tokyo on November 15, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a giant bio-mechanical mecha named Evangelion into combat with beings called Angels. In the episode, a rival organization of Nerv builds Jet Alone, a prototype giant robot with an onboard nuclear reactor as an alternative to the Evangelions. During the first public test of Jet Alone, it goes out of control and marches toward a nearby city with its reactor close to a meltdown. Shinji keeps the robot at bay in his Evangelion while Nerv's Major Misato Katsuragi gets inside Jet Alone and shuts down the reactor.
"Asuka Strikes!" is the eighth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Yoji Enokido and directed by Kazuya Tsurumaki, was first broadcast on TV Tokyo on November 22, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Asuka Langley Soryu, a girl who is designated as the pilot of Evangelion Unit-02, is introduced; after the attack of Gaghiel, the sixth Angel, Asuka cooperates with Shinji aboard the Eva-02 to defeat the enemy.
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"Magmadiver" is the tenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno and Akio Satsukawa and directed by Tsuyoshi Kaga and Kiroyuki Ishido, was first broadcast on TV Tokyo on December 6, 1995. The series is set fifteen years after a worldwide cataclysm and is mostly set in the futuristic, fortified city Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. During the episode, Asuka Langley Soryu, a girl who is designated as the pilot of Evangelion Unit-02, tries to capture the eighth Angel, Sandalphon, found in the magma chamber of a Volcano in a dormant state.
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"Lilliputian Hitcher" is the thirteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by anime studio Gainax. The episode, written by Hideaki Anno, Mitsuo Iso, and Akio Satsukwa and directed by Tensai Okamura, was first broadcast on TV Tokyo on December 27, 1995.
"Weaving a Story" is the fourteenth episode of the Japanese anime television series Neon Genesis Evangelion, which was created by Gainax. The episode, written by Hideaki Anno, and directed by Masahiko Otsuka and Ken Ando, was first broadcast on TV Tokyo on January 3, 1996. The series is set fifteen years after a worldwide cataclysm known as Second Impact and is mostly set in the futuristic, fortified city of Tokyo-3. The series' protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the special military organization Nerv to pilot a gigantic, bio-mechanical mecha named Evangelion into combat with beings called Angels. In the course of the episode, a secret sect named Seele examines Gendo Ikari's actions to determine whether his actions are in accordance with the organisation's plans, which follow ancient documents called Dead Sea Scrolls. Evangelion's pilots are tested; during her test, Rei Ayanami has a long stream of consciousness in which she investigates her identity.
"A Transfer", known by the Japanese title "The Silent Phone", is the third episode of the anime Neon Genesis Evangelion, created by Gainax. Series director Hideaki Anno and writer Akio Satsukawa wrote the episode, directed by Hiroyuki Ishido. It aired originally on TV Tokyo on October 18, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, particularly in the futuristic fortified city of Tokyo-3. The protagonist is Shinji Ikari, a teenage boy whose father, Gendo, recruited him to the organization Nerv to pilot a giant bio-machine mecha named Evangelion into combat with beings called Angels. In the episode, Shinji begins attending his new school in Tokyo-3 and has a difficult time dealing with the fame of being an Evangelion pilot. His classmate Toji Suzuhara, whose little sister was injured in Shinji's fight against the Angel Sachiel shown in the previous episode, is angry at him; a new Angel named Shamshel appears, and Shinji must once again pilot Eva-01 to defeat it.
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"Hedgehog's Dilemma", also known by the Japanese title "Rain, After Running Away", is the fourth episode of the anime Neon Genesis Evangelion, which was created by Gainax. The episode, written by Akio Satsukawa and directed by Tsuyoshi Kaga, was first broadcast on TV Tokyo on October 25, 1995. The series is set fifteen years after a worldwide cataclysm named Second Impact, and is mostly set in the futuristic, fortified city Tokyo-3. The episode's protagonist is Shinji Ikari, a teenage boy who is recruited by his father Gendo to the organization Nerv to pilot a giant bio-machine mecha named Evangelion into combat with beings called Angels. In the episode, Shinji is overcome by the stress of being an Evangelion pilot and runs away from home. After wandering around Tokyo-3, he must choose between quitting and staying at Nerv.
Dr. Ritsuko Akagi is a fictional character from the Neon Genesis Evangelion franchise, created by Gainax. She is the head of the first section of the technology department at Nerv headquarters, and one of the main developers of Evangelion units. In 2005 during college, Ritsuko met Misato Katsuragi, who became her best friend, and befriended her boyfriend Kaji, whom Ritsuko considered annoying. In 2008, after completing her studies at Tokyo-2, Ritsuko joined Gehirn Research Center as the head of Project E. Following her transfer to the special agency Nerv, Ritsuko became responsible for the management of the Magi supercomputer. At Nerv, Ritsuko comes into close contact with her mother's lover Gendo Ikari, learning secret information that is withheld from almost all other members of the organization.